Ironpots are becoming more popular in china, and the collection of old canteens has become a natural choice for many ironpot lovers. For starters, it is challenging to choose an old pot worth collecting. The degree of awareness of the iron pot, the cultural foundations of each tibetan, the living environment, the habit of living, the regional folklore, the economic situation, etc., varies from one person to another。
There are people who like low-key “precious pots”, there are people who like luxurious, silver-skinned canteens, there are people who like elegant and beautiful, and there are people who like to fix a thick instrument. In any case, as a treasurer of an iron kettle, you must first collect the type of instrument you like, and the image must be perfect as a good product; every time you get a good pot, you take care of it, you play it in the palm, you even wipe it with your face, you shine it on every pot. The old canteen has a fast-disguised charm that can drive the pursuers into a demonic passion. The old canteen, while bringing pleasure to its collectors, to its rewarders and to those who love it, also provides a shade of health, happiness and happiness. Of course, as a stream of investment collections, it is best to ignore personal preferences, as long as the pots collected add value and earn money。
Over the past two years, the rapid rise in the standard of living of the nation's people and the rapid rise in its spiritual civilization, as well as the quest for survival and health, have hatched an increasing number of people in the tea lanes. The enthusiasts of the iron canteens that are derived from it have grown longer than the day, and the unreconstructable nature of the old canteen and its rareness determine that it must have a good value added space。
Three years ago, there was a pot of three yuan and tens of thousands of yuan, and now it is worth at least a few hundred thousand yuan. The more refined the pot, the greater the room for appreciation. The price of the pot is currently relatively stable, generally ranging from rmb to rmb 10,000. It is understood that a pot of refined goods such as ansuke, tibetan, hatano and mayquan is worth over tens of thousands of dollars. Suzuki's luminous pot is worth almost a million dollars because it is only a few. In order to obtain the pots of masters such as takamaki, mingcai, sulang, sumikawa, kotiya, nagano, ueda, yumiya and yumiya somiya, among others, are also required in order to obtain them. Some of the gold-embedded old iron pots are worth hundreds of thousands of dollars. Some of the famous pufus are even worth over a million. Last year's iron canteen auctions at auction houses like gard contributed to the sharp rise in the price of the canteen。
In the cast technology of the iron canteens, in addition to the wax cast method (the lost and found chinese copper instrument), there are sand cast and hard pressure casting。
Sand casting is a very primitive and common form of casting technology, which is similar to the case where we now roll the casting motor. The casting iron canteens are typically made of top-down and bottom-up bindings within the maximum diameter of the pot, so the canteens have a horizontal waist line here and are therefore inverted when casted. It is therefore visible at the heart of the pot that there will be two smaller casting holes on both sides of the kettle, as is the case with a human belly button。
The hard moulding method is a technique that injects iron-water casters with pressure on precision metal moulds. It is a pot that, because it is a semi-vertical pair between the right and the left, there will be a disillusionment line in the left and the right middle line of the pot, although some of the puisers grind it, or hide it with water. These canteens are generally overformed, mostly in high-frozen sculpture patterns, and are generally referred to by those who play the old canteens as being made by “osaka turtles” or the tomonagasa region, which are somewhat undervalued and are not pursued by most tibetans。
They also need to know the names of their parts。
An iron kettle can be divided into pot bodies, kettle caps, kettle mouths (also referred to as “flow”), beams, pot mouths. The place where the beam is linked to the pot is called the ring; there is a pick-up on the top of the pot and the button below the listen; and some of the pots have a clearly cast ring of the ring or dress called the plume. The plume acts as a gathering fire and as a barrier to fire temperature. Some of the kettles have two similar earrings on both sides. They're called pouncers. There are also pedal pieces of metal in the bottom of the pot, known as sound films, which, when the water boils, make pleasing noises, but after more than a hundred years of suffering, most of the old pots are out of sound, so the availability of the pot is beyond the focus of the collector。
A good old iron canteen must first be intact, not missing, let alone leaking water. It is best to have a smooth spin on the canteen, not a broken mouth, and the water in it is not just a problem if it flows out. A kettle beam must be able to stand straight and must not be distasteable. The lid of the pot is better suited than it is. The requirements for the lids are not as high as those of the purple sandpot, and generally, as long as the lids are not so plentiful when they move to or from the right side, they are not applied without a large gap. But for the collection of fine things, it's the original cover, and it's so tight that it's good. Unfortunately, only the southern ironstuffs are still being produced as a result of the re-emergence of japanese tea culture and the subsequent collapse of the japanese medium and late. But woeful times, and the mist of the tea, and the pot of the earth, are gone。
The knowledge of the old canteen collection is by no means self-evident, but it is also necessary for the lovers to learn hard about the canteen collection and to learn more about it. Because the value of the old iron pot has been rising for almost two years, a small number of those who profit from it have made it. We still have to shine our eyes and choose a reliable, large supplier when we choose the old iron pot at the collection level. What is more important is that we do what we can and not be blinded by false advocacy of interests。
