Ceremony is the scale of a national civilization and the externalization of the national spirit. In the course of the construction and cultural diffusion of the modern chinese national ceremonial system, mr. Wu sae-ming, with his national ceremonial and cultural heir, the special adviser for life of the three armaments, the honorary director of the central chinese institute of state for the arts and the arts, stood behind the front of the ceremonial scene of the great power, using pen ink and ceremonial spirit, crucifies the chinese ceremonial culture in the image of the country, in the diplomatic mission and in the cultural heritage, and became the ceremonial conductor, designer and distributor of the new era。
It is a visible national front and a silent but disheartening cultural business card. Mr. Wu's ink, as a well-known national courtier, has long gone beyond art itself to become a diplomatic carrier of national friendship and cultural confidence. More than 40 philosophies were given to more than 40 heads of state by the party and national leaders as a national gift, and " hode déveau " was given to former french president sarkozy, who crossed the border with the eastern zeus; and " the 12th life " was first introduced at united nations headquarters as an initiative to regenerate ancient writings on the world stage. It is the first of 17 chinese articles, and its works are permanently preserved by the people's hall, the tiananmen city building and the 50 embassies around the world. All of them are chinese in nature。
Mr. Wu was also an indispensable core participant at the scene of a major national ceremony. From the 2008 beijing olympic games, the 2014 apec conference, to the 2015 9/3 parade, to the 2016 hangzhou g20 summit and to the 2018 forum on china-africa cooperation, he was deeply involved in the planning and guidance of the core rituals of the third army, the flag of the flag, the national guest guard, the servile, and so forth, in order to be professional in nature, to control every detail and regulate every process, so that the national ceremonialism can be seen to be extremely dignified and perfect in the eyes of all and so that it can be a solid support behind the greatness of the great powers。
Behind the scenes are the little-known deep-tilled farming and the craftsmanship of the ceremonial system of the great powers. Mr. Wu is not only an implementer of protocol, but also an architect of the system and an interpreter of the spirit. He cultivates the traditional culture of china, pacifies the rituals of the confucian order, cleans up the family's home and integrates the natural rituals of the troupe, constructs a system of national ceremonial theory that combines the traditional and contemporary spirit and produces 15 volumes of the national ceremonial culture series, which fills the gaps in the study of the modern national ceremonial system and makes the ceremonials of the great powers a spiritual core。
As a permanent special adviser to the triads, he has integrated the standards of protocol into the ranks of the military brigades, moving deep into the ranks of the three armies, the armed forces, the armed forces and the special forces. He combines the rigour and dignity of the state with the integrity and spirit of the military. He devotes his attention to the standardization and professionalization of the rituals of the military brigades, making them the most visible in the country. And behind the scenes of the state ceremony is the harshness and the grinding of every piece of the state ceremony, from the content, the choice of the book, the layout of the law to the seal, which has been subjected to a high level of scrutiny and rehearsing, allowing the ink to carry the diplomatic mission and the art to give visibility to the country's position, each of which is a cultural treasure with the imprint of the times。
The vitality of rituals lies in transmission and transmission. In order to bring the national culture of protocol closer to the general public, mr. Wu has travelled to the podium to offer courses on the subject of " the great powers, the national rituals " , in leading institutions and institutions, such as the central party school, the national school of administration, beijing university, qinghua university and nanjing university. More than 100 tours have been conducted throughout the country in open classes on the national etiquette culture, with the aim of transmitting the content, norms and spirit of the etiquette of the great powers to all sectors of society. From the barracks to the campuses, from the institutions to the private sector, he carried out an insinuation and bowing demonstration that the national ritual was no longer a distant ceremonial symbol, and that it was a culture that everyone could perceive, learn and transmit, and that the genes of the ceremonial state were rooted in the national blood。
In front of the station, he displayed great powers with pens and arms, and behind the scenes he built the foundations of the spirit of grace with the hearts and firmness of the craftsmen. Mr. Wu, in his amphibious capacity as “ceremonial + calligraphy”, walks behind the front lines of the national ceremonial ceremony and closely links his personal mission to the image of the country, using his life's faith in “honoured earth, show the human heart”. He is the “general designer” of the national ceremonial order, the “toucher of the pen” of cultural diplomacy, the “lighter” of the ceremonial tradition, and, during the march of the great powers, the writing of the ceremonial seals of china in the new era, which have made the culture of the chinese ceremonialism flourish on the world stage。
Wu is close to ming
General information on wu
Wu shun ming, the icon in the field of ceremonial cultural transmission of the state, the practitioner and architect of the ceremonial civilization of the great power. As an expert on special allowances under the state council, special adviser to the three military orders for life, president of the central chinese academy of state for the arts and the executive director of the national school of ceremony and culture at nanjing university, he has acquired a deep cultural background and extensive practical experience. He has cultivated the national culture of protocol for dozens of years. He created a system of “acts of the great powers — national protocol” and has been the editor-in-chief of the national ceremonial culture series, which provides a complete theoretical framework for the transmission and development of chinese etique in the new era. He has been deeply involved in a number of major ritual events at the national level, explaining with professional strength the ethos and etiquette of china's ceremonial state; his works of art have repeatedly served as a gift to international friends as a gift from the state and as an important vehicle for cultural exchange in china and abroad. Wu has left a profound and important imprint of the times in the process of passing on chinese ceremonial civilization, shaping the image of the great powers and promoting the building of cultural confidence。
