Taste and hate songs
In the current society, more and more people are going to use it, often with a larger content and longer space. Before writing, reference may be made to the text, and the following is a song of hate collected for you by a writer who hopes to help you。
Reread the classic narrative poem "long hate song" of the white-crowded population. The beauty of the language, the twist of the story, the fineness of the depiction, the vividness of the person, and the smugness of the feelings still resonate. Repeatedly, i'm still stuck in that old, old-fashioned, obscurant thinking, and what is "hate" in poetry?
The title was the eye of the article, and i tried to see through the eyes of “her” the mind of “her”. “the song”, which shows the poetry as a “song”, “line”, “body”, is one of the ancient musical poems written in a more liberal and flexible way, in the form of five words, seven words and a lot of gossip, with the meaning of “singing”, such as dubert's "squawk's sing" and zeng's "sweet snow's sing" to the judge; “long” or “long term”; “hate”, which is interpreted in the gohan dictionary as “pity, dissatisfied”; and “longhate” which combines with “longing regret”. But what exactly does the author say about hatred。
It is precisely because the author does not speak directly about the content of “hate” that, with the age of the author's creation, it is difficult to assess what he or she feels in his or her mind, and the information that has been transmitted about the subject matter of his or her work is nothing more than an ingenious piece of speech, which is simply not sufficient as proof of a certain degree of certainty. In addition to the mood and angle of each reader to read the work, it depends on the individual, as shakespeare put it, “one thousand readers have one thousand hamlets”, so there are various statements on the subject of poetry, but from the researcher's comments, there are no more than three opinions. One is that the subject of this article is a metaphor, and those who hold this view believe that the poem is a sarcasm of tang ming's grandeur; second is that the theme of the poem is “love speaking”, and those who hold this view believe that the poem is one of hymns and sympathy for li lung ki and yang's faithful love; thirdly, the dual theme is that those who hold this view believe that the first part of the poem is the sarcasm of the obscenity of the kingdom of tang ming, and the second part is the hymn of the love of tang hyun-zong and yang princess yang. To date, there has been a more uniform understanding of this issue。
Repeatingly reading the text, we were conceited, and we were foolish to say "hate" for it had three dimensions: first, the poet "hate" did not end up with a lover. Since the ancient kings have no truth, they have 72 wives in the sixth house of the courtesan. Who remembers the name of each princess? Not to talk about love. But when lee lungi met yang yu, myths were broken. The yang yu ring, with its 3,000 pets, lee lungi's house and wu, has made the jade ring “sisters all over the land” deeply moved. In the house of the seven nights, the emperor vowed to make an agreement that "the birds of the sky and the earth will take care of the branches." but god is jealous that “the chaos of history” separates the two loved ones from each other forever. The author, through a picture of the beauty of the lives of the two li yangs, the cruel pain and suffering of the execution of the princess, the search for the princess's fate, the heart and heart after the loss of his loved one, the advance of the story, the gradual accumulation of feelings, and finally finally the sound of the cry “this hatred is endless and sometimes endless”. How can a poet not “hate” when such a beautiful and rare princess has failed to end? The poet is also “hate.” second, the poet “hate” the ming emperor lost “the mountain” because he loved “the beauty”. It's true that the ancient language says, “love is better for beauty”, but for a person with a little rationality and a little idealism, the relationship between the two can be handled well, and the order of the two can be rationalized so that “fish and bear hands can be both”. And our gen-zeng has lost his mind by love: “from now on, kings are not in the early days”, and it is not sad that a generation of kings, in the face of the beauty of the river and the river, have lost both sides, but he has lost the beauty and the mountain. Moreover, the poet “hate” when the pilgrims forget history and do not intend to do so. The poet has written a well-known li yang love tragedy into a poem designed to inspire people to think about the causes of the tragedy and to know why it is necessary to guide people in how to do it. Who is responsible for the tragedy of li yang's love? The opening words of the poet show that "the emperor is a man of great love" and that tang hyun-zheng is obsessed with the beauty of the princess, disregards the government, is arrogant, has no choice but to rape, is no choice but to lead to the outbreak of chaos in the history of peace, the mutiny of soldiers, the death of the princess, and the tragic ending of love by li yang. And when the pilgrims almost forgot that history and the tragedy, grand tang was still on the path of decay. The poet three "hate" also。
A little obscurantism reveals a correlation between these three “hate”. On the surface, we can easily grasp the poet's “hate” of having a lover, and we may ask why li yang has a lover who is not. We have also analysed earlier the tragic fate of the beautiful people who have lost their lives because of their own pride and debauchery. The bitter wine of his own making swallows himself and his tears. “how can the beauty of a mountain be understood by any normal adult?” why is the gen-jun so blind? The author therefore considered it necessary to rebroadcast the tragedy of yang li, and the alarm bells were long, and the alarm bells changed, and there was no urge. We must not repeat the mistakes of history and avoid the loss of a single foot and the creation of a thousand years of hatred!
It's like this
The musical creation of the quick sings, which originated in italy, was mainly in the form of a back-to-back musical series that presented the storylines of the whole play, which could be said to be almost pure, so the qing sings are highly demanding for the singer's musical performance and performance. Mr. Wong's qing sing is the first qing sing in the country's recent music history, filled out by the verham chapter, whose lyrics refer to the legend of hongsung, the temple of life, and the white poem, the long sing. The titles of each part of the long hatred are drawn from the poems written in white house: chapter i (the fairy wind is everywhere), chapter ii (the temple of life on july 7th), chapter iii (the greatness of the fish industry), chapter v (the 6th army has nothing to offer), chapter vi (the death of the hordes), chapter viii (the mountains are empty), chapter x (the hatred is endless). Chapter eight is my favorite one。
I. Analysis of the mountains in a difference
The mountain is a three-song of girls, and the only one in the long hatred song, with a five-song. The lyrics are inspired by the white-hot song, “the mountains of the sea are ignored and the mountains are empty. There's a lot of clouds in the attic. This instrument was created as a material of the transcripts of wei's music. “it was made by lee baek when chang an was given to han lin, and this is a three-part clean-up. The first is a tribute to the beauty of the princess, as everyone knows; the second is a depiction of the emperor's love of the princess for his beauty; and the third is a description of the extent of the emperor's love for the princess.” this instrument is national and is national。
(i) the linguism of the mountain in a fault
It depicts the euphoria of the island of penglai, like a dream of a fairyland, where fairies who don't eat people's pyrotechnics in the empty caves of pong lai xian island are fascinated by the lovelies of the world such as king tang ming yang and princess tang. The lyrics are based on the words of the white house, the long hatred, “ignoring that there are fairy mountains in the sea and mountains in the void. There's a lot of clouds in the attic. This song paints an illuminating wonderland, using a simple, quiet, tact of composer. Music has an ancient and elegant character and a rich national style of music。
(ii) freedom of melody
In order to bring music and poetry closer together, the songmaking technique has made the melody more “free”, as reflected in the title “mountains in the unfinished thread”, which is a two-part chorus consisting of two sentences and six subsections supplemented by incomplete bands of music, and part b, which is “one chorus” and which is not written until the last word。
(iii) symphony combination, accompaniment and integration
Since he was a child, huang has learned the ancient words and is good at reciting them, a gift which was shown at a very young age, and has been able to recite some of the more cumbersome paragraphs of the university at the age of two. These studies at an early age are based on the understanding of their mothers, and it is because of the early years of the family that the family has created a strong ethnic foundation for the creation of music and an extraordinary understanding of the poetry of the lyrics. The first chapter of the musical accompaniment of the mountain is not based on conventional accompaniment, but rather emphasizes the horizontal movement of each sound, creating a cloudy atmosphere, and each voice can be removed as a single melody, beautiful and lively, with contrasts and mimics between the three voices, showing more of the wonders of poetry and poetry。
(iv) modularity
The mountain is the only “pure nationalization” piece of the whole chorus, and the integration of the western and middle elements is quite perfect, with its national taste and characteristics, with its national five-tongue style (few), in which it turns two times where there are two derogatory sounds, once ba of subsection 22, from c to f, using the five-way tune method of “cleaning the horn to the palace” and, second, the “turning the palace to the horn” in section 28 g, returning from the f-plum to the c-plum, making the subject of the whole piece more sharp and more like a fairyland。
(v) multiform fabric writing
The author uses the western chorus technique of “retweeting” to depict the fairyland of pongley island, and between the three sounds of a girl, between the vocal parts of a band, and between the choir and the band, it is not difficult to predict that this is a “session imitation, as in the first part, followed by a trend towards free development, which avoids the monotonous tone of the chorus and sound and makes it mysterious, the first is that the girl sings “smote, cloudy, cloudy”, and the next is “cleaning holes on the island of pong lai, twirling the trees”, and the next is a retangled handwork, which appears in the lower part of high school, as if it is in the cloud and cloud that lie on the floor. The lyrics are repeated, except that the order in which the sound appears becomes the lower part of the voice, then the upper part of the medium is the higher part, and ends with the subordinates and the spin。
Rule one
Ii. Aesthetic research in mountain infinity
Since huang studied psychology at the american academy of o'berlin, his aesthetics were traditional aesthetics, and all of his theories were derived from kant's traditional psychology of “know-know-mean”. Since his return, huang has long been involved in music education and, in the perception of music aesthetics, he has divided the process of musical appreciation into three stages, one being feelings. Two is emotion, three is reason. In his view, it was a bridge between music and reality. The “absolute music” of hanslik has to some extent influenced the mind of the yellow-blooded music, which focuses on its purity and the independence of the music itself. These are some of his musical works。
(i) sound, sound beauty
The chinese language is the most beautiful and difficult to learn in the world. In chinese speech, there are four different tunes, and in chinese poetry, there is a great deal of words and words, and the rhyme between words and sentences. The word “mingue” is called the hymns, and the word “up” is called the hymns, and the words are the basic requirements of chinese poetry. Mr. Huang has a deep literary background, and naturally much attention is paid to the relationship between calm and music melody in music creation. The chorus of girls sings "mount in the no-mount" chorus, "mounty in the misty and the ziang in the clouds" rhymes with flat and flat. As a result of being in a strong position, yellow uses a small section to express the word. For example, in the phrase “to spend the rest of the spring and try to keep the wine in the spring”, the second sound of the word “come” was that of the second sound, namely, the yang, and the corresponding tune should rise up, with the three degrees of upper-high expression being used in the treatment of melody. The sound of the word “spring” is the first sound, the tone of the tone, the use of the high sound, at a time when the melody has advanced to the climax of the full song, and the accent on the word “shelter” has served to emphasize that the tone of the word “suspendant” is the fourth sound, the sound of the sound, and at a time when the melody should go down, as has been done since the melody of the sentence。
(ii) the beauty of the ancient words
The same type of composer as huang's, zhao yuanzhun and jiang wen were also among the same composers at the time, and there were also a number of artistic songs that were written by composers on the theme of ancient poems, such as: " i live in the yangtze, the voice is slow " , " haruhi " and " maple bridge " . He prefers the classical poems of the tang song era, on which he has written five artistic songs, namely, spring sense, south country, little lips, flowers and the sons of the book. These artistic songs reflect mr. Wong's deep composer and literary background。
Concluding remarks
The yellow self-single song, the first of its kind in the recent history of music in my country, is a landmark one, and the painting of the mountain in the void, which i love so much, has made me more aware of by analysing the chorus structure of the whole piece, has a comprehensive understanding of the hymn, the use of the hymn, and the use of the hymn technique, and is highly respectful of mr. Huang。
