Aesthetics and “china in western theory”
Liu kang
Abstract: aesthetics (emotionals) is an important modern chinese language. From the point of view of the history of ideas, academic paradigms and methods, chinese aesthetic discourse can be explored in both directions in the “historicization of theory” and its “historicization” of self-reflection and criticism, reflecting on the dynamics of theoretical discourse in china's historical development and its transformation and transformation, acceptance and application, west and west. In china's modernization process, there is an interdependent, two-way construction between the marxist theory and the aesthetic discourse. Contemporary aesthetic discourse is closely linked to modern chinese discourse and is reflected in many aspects of political and social life. The evolution and expansion of chinese aesthetics can be considered in terms of history, criticism and question-making, further exploring the process of the composition of their discourse, and promoting chinese academic thinking to respond to the concerns of the times and to develop a unique chinese-language system in the context of the expansion of its dual vision of western thinking and academia, as well as in the context of a two-dimensional dialogue oriented towards reality and the world. This idea of reflection from a three-fold historical, ideological and academic perspective stems from a reflection on the history of modern chinese thinking, which has been left out and ignored by two different knowledge systems in europe and china. In the subject of “china in western theory”, the continuity and expansion of chinese aesthetic research deserves further reflection。
Keywords: chinese aesthetics; western theory; history of thought
Aesthetics and “china in western theory” lao kang. PDF
Published by: sheung yi
