There is a great variety of ancient poems, not a few of which are classics, so let's say today that the same bamboo that was included in the “thirty three” and “four men”. The ancients like to paraphrase human beings and glorify someone's good qualities, such as orchids, clubs and so on, through some of the characteristics of plants themselves. As for bamboo, it is also one of the objects of praise to the man。
Some are simply praises for the beauty of bamboo gestures, such as “three or two of the peaches and the prophet of the spring river.” but more people like bamboo with dust and strong faith. It's like sudong poe, "never be left alone," which shows how deep this plant is。
Soo-soo's cousins are known for drawing bamboo, and he has been told that the bamboo he has painted is alive. He does not need the bamboo in his eyes, because he has it in his heart. Zheng chihashi, a qing dynasty literary scholar, also wrote a poem on bamboo, which was widely celebrated by later generations。
Bamboo
Zheng wei bridge
Bite the green mountains, and the roots are in the rock。
It's a hard hit, the east-west-north wind。
And the bamboo smudged, and gnawed at the mountains, and did not relax at all. Turns out its roots were deep in stone. Whether it is grinding a thousand times or attacking a thousand times, its bones remain very hard. No matter what you do, it doesn't matter. It's the best poetry in history。
This poem is zheng zhenhashi's work and it's a poem. The author praises the quality of bamboo and expresses his deep love and admiration for it. Bamboo has been a symbol of tenacity since ancient times. The author not only demonstrates the resilience of the bamboo but also self-evidence of the author's distant leisure mood。
The first sentence of the poem, “bite the mountains and not relax”, begins by presenting to the reader the image of a tweaked bamboo that is firmly gripped by the masons. The word "bite" makes the bamboo personal." the word "bite" is an active action that requires effort. Not only does it write a picture of the fact that the bamboo is so close to the mountains, but it also demonstrates the spirit of the bamboo that is not afraid of hardship, struggles with nature and survives。
The second sentence of the poem, “strengths in the rocks”, states that the basis for the proud rise above the mountains is that it is deeply rooted in broken rocks. The authors of the zhenghashi poem and the bamboo in the painting are often inseparable from the stone. In some cases, stone forms the opposite of bamboo, such as “striking a piece of bamboo, which is one foot taller than a branch, even though it makes it one foot tall, and seeing me lift up the sky every year”; in other cases, stone forms the background of bamboo, such as “the autumn wind ferries last night, and the thawing of stones through the forest; but the bamboo branch is not afraid, but it fights one thousand times”。
In this poem, bamboo is formed as a whole, with no stone, and no bamboo. These two poems also illustrate a simple and profound philosophy: deep-rooted power. With the first two sentences on the mattress, the following two words are naturally drawn out: “though and hard, the east-west wind in the south”. There is a special feature of this poem: it is not an isolated bamboo, nor is it a static bamboo, but a mason。
In zheng zhenhashi's poems, bamboo is often a symbol of noble conduct and tenacious will, while the wind is often a representative of the forces of evil, as mentioned earlier in the words “autumn winds last night”, which read: “a storm has turned upside down and the bamboo branches turn back into the sky. It's my business to sweep the clouds, to sweep the dust." in this poem, the same bamboo was struck four seasons a year by the east-west north wind。
But because it is deeply rooted in the rocks, it remains intact and resilient. There's nothing we can do about it. The poet wrote in the words "thousand" and "thousand" the spirit of bamboo, which was brave and self-confident, and could be said to have reached the point of the whole poem. What we have stood up to is no longer a few pieces of ordinary bamboo, and what we have felt is a tenacity of life and a tenacity of will, all of which are embedded in the plume of the plume。
The poem's bamboo is, in fact, also the incarnation of the author zheng zhenhashi's noble personality. In life, the poet is one of those who have a closer connection with the lower class of the people, and who are so cynical and fearless. The author's poems are as strong as hiss and can be appreciated。
That's exactly what this poem is, whether it's bamboo or stone, in a poet's book. The wind of no entity is also depicted as passing by. But the poet does not seek only external appearances, but rather embedding his ideals in every thin mason, so that he may reveal a deep sense of the animal and its inner hymn。
It is a poem of parables and words, and a poem of wisdom. This poem is an expression of the tenacity of the bamboo, the tenacity of the masons, the stamina of the masons, the integrity, the bones of the iron bones. The whole poem is simple and strong。
