It's a work appreciation
The down payment is the end of a calligraphy work, and the location, content, format, ink and ink are abetted, undermining the whole chapter and even lowering the tone of the work. The following seven core taboos are the key to making the most money available:
It's a work appreciation
Number one: the noise is over, the text is bigger. The text is the core of the work, and the drops should have been used as auxiliary dots. Many people drop their money by writing too big, too heavy a pen, and the pen ink field overwhelms the text and directly disrupts the visual focus. Even if it is written in better words, it will make the whole work top-heavy, top-heavy, top-heavy, and it will upset the balance of the law and make it appear that it does not understand the aesthetic logic of calligraphy。
It's a work appreciation
Second fear: the vicissitudes of location and the imbalance of rules. The traditional vertical calligraphy is left-right, upper-and-low, and the money falls below the left side of the text. It is the most taboo to give money at will: either top-down, break the white air; bottom-down, squeeze the bottom white; or left-right, crooked, out of touch with the text. Retention is a matter of calligraphy, and once the drop position is wrong, the whole hymn is broken, and there is no grace。
It's a work appreciation
Third fear: the content is redundant, the painting of snakes adds. They should be simple, timed and signed. It is not about writing, such as adding additional irrelevant remarks, superfluous modifications, or repeating poems; it is also about missing key messages, writing only words and not signing them, or simply signing them in the traditional order of times. Redundant content makes the cash flow swollen, and a clean winding-up is the best。
It's a work appreciation
No. 4: font conflict, style split. The down payment font shall be consistent with the text, the text book, the example, and the down payment shall be in the same or more condensed font. The most taboo is the strictness of the text, the frenzy of the money, the flaccidness of the text, the rigidity of the paper, the complete disjunction of the style of the font, the fragmentation of the work and the hymn. The down payment font is slightly smaller than the text and the pen is more condensed to fit the whole style。
It's a work appreciation
No. 5: stamps are covered, destruction remains white. The seal is the end-point of the down payment, which is taboo, big and crooked. Either the seal is too large to hold down the text of the deposit; the seal is covered in multiple ways, leaving it blank; or the seal is slanted, spreads out and contaminates the body area. The seal says, “better than less, more than less”, and the name of one party is right, and more, rather, it is so。
