Luxhuan/1881-1936-1936, rushu shan, rushu, zhou zhou zhui, zhejiang shao xing, of ancestral origin, new cultural movement chief, literaryist, thinker, translator. The delegates have the screams, the episode, the diary of the mad, and the sileen of china。
The artist, the wangslant, draws a quick picture of his heart
On 12 october 1932, yudav set up a feast at the shanghai polytechnic garden, where he went to the feast, wearing, as usual, a simple chinese long shirt with his hair straight as a brush and a thick beard forming the word “one”. Yu daffou asked lu xuan: "are these pagans working hard?" the first half of the poem, which had not been written for two days, was narrated: "the eyebrow is cold to the finger of a thousand, and the head is bowed as a cow." hide in the small building and control his winter and spring and autumn." and rudolph then said, "you're so lucky."
And he came to his senses, and said, “let me tell you, i have the first half of a poem: what is the point of delivering the qur’an? The tattered hats are over the market, and the leaking ship is running in the middle of the bar.” together, it's the famous "scoffing" poem. On this day, luxur wrote in his diary: "duff, he eats, he drinks, he steals, he steals."
"see the true face of the world."
In 1881, lu xuan was born in changjong, zhejiang. At that time, grandfather zhou fook qing was in kyoto as an official, so he learned well, so proud, so much obnoxious, and so much scolded. Cao zhongren once said, “it is no secret that lu xian's scolding has the style of his grandfather, or that he has the style of shao xing”. In his impression, father zhou baie was a harsh and unreasonable man who arbitrarily stifled the child's nature. But the same father was a loving father in the image of his brother。
In 1893, his grandfather was dismissed from prison for fraud, while his brother ruth was placed in the home of his brother-in-law, who had left the city for more than 30 years. His grandfather was subsequently sentenced to “demolition” and seven years in prison, and zhou had to spend a great deal of money each year to keep him alive. Since then, the family has also been declining. The father was also seriously ill in bed and died in 1896。
As the eldest son, lu xuan has borne a huge mental burden. To live under a fence and not to be free from idleness, he said to zhou that he had been verbally accused of “growing”. At that time, he had to go not only to school, but also to go six or seven miles to pick up goods for his family. In his subsequent " paternity's disease " , he wrote in pain about his inner experience of pain in getting medicine for his father in the pawnshop. And he said in the preface to the scream: "anyone who falls into a trap from a small family, i thought that in the way i might see the true face of mankind."
In 1898, 17-year-old lu xuan, carrying his mother's eight silver round, went to nanjing to study at the gangnam school of waterworks. Zhou peri-sheng himself, who was under the supervision of the faculty of waterworks, considered that it was not appropriate for him to change his name by using the words in his family's history when he entered the new school as a soldier. At the end of the first semester, he was awarded a gold medal by the school, after which he was able to sell several books and a bunch of chili. According to my classmates, lu xuan “has had to eat chili in winter to protect the cold and has become a hobby, thus damaging the health of the stomach and making it a living waste”。
♪ i'm burning my blood ♪
In march 1902, 21-year-old lucifer was eligible to study abroad, travelling to japan on a day-cycle “da jeong-maru”, accompanied by chen jin-seok and his brother. He studied japanese at the hong kong institute in tokyo and cut off his braids one year later, the first in gangnam class at that time. It's a year when he wrote "the spectator" for a birthday, and the last edifice of the poem says, "i'm making my blood."
In september 1904, ruther entered the sendai school of medicine to study modern medicine. Xu xiu xuan said that lu had studied modern medicine either because of his father's illness, which had caused him to have serious doubts about chinese medicine, or because he had sought a way of leaving it alone. Sun worn then recalled that, according to luxur, when he was 14 and 5, he had a toothache and told the elders of his family, and only got one sentence: "don't be shy, it's your fault!" since then, he has endured pain and has studied for himself so that he can study medicine later。
Two years later, lu had dropped out of school. In a documentary film about the japanese-russian war, he referred to it, stating that the japanese army had been arrested and shot to death for having been a detective for russians, and that it was the chinese who liked to be there to see it, arguing that “the rescue of the country requires the rescue of the people” and then abandoning the medical literature and wishing to transform the chinese “national evil” with literature。
While studying abroad, lu often talks about three interrelated issues: “i, what is ideal humanity?” what is the most lacking among the chinese people? Thirdly, what is its disease?” when they discussed it, they thought that the most lacking of the chinese people were “clandestine” and “love”. In 1907 and 1908, lu wrote a series of long texts which, for the first time, set out his fundamental thinking on china's path to modernization: “the first man to stand” and “the first man to do everything after man” and “the only way to do it is to respect his personality and to establish his spirit”。
Owl
In 1912, a 31-year-old lu xian was invited to work in the ministry of education of the government of the republic of china. Following yuan's assumption of the presidency, lu xian moved with the government to beijing, where he served as chief of the first section of the department of social education and education. At that time, he went through a period of mental distress, was disappointed with social reform and had contracted the disease of the time, tuberculosis, which he once thought was “near to live”. For several years, life had been grinding under the tree of the shao xing hall, and he was shaking his fan, “looking at a little bit of the sky from the seams of the leaves, every cold silk that came out fell on his neck”。
A visit to the factory and a copy of the monument became the only thing he had in his misery and took his own name, “the hall of the dead”. He likes owls, and changen gave him his nickname, owls, which he preaches. He was later re-engaged in the new cultural movement, influenced by chan xuan, and was also a professor at beijing women's higher teacher training school and part-time lecturer at beijing university. In may 1918, for the first time, he published the first white novel in the history of modern chinese literature, the man's diary, in the name of luxun, laying the foundations of the new literature. According to yudav's article, “simplified as a dagger, able to kill with an inch of blood. The important thing is that when you catch it, you can break the subject with just three words — that's the secret of your writing."
In china, lu xuan is a unique writer whose work has generated many positive and negative assessments and extremes, not only in new literature but even in chinese literature. Most of us agree that he is the founder of the “new literature” with a sharp and deep mind. A well-known german scientist, kubing, said, “lu xuan is a writer who could not and could not be surpassed in the twentieth century.” however, his opposition to the dictatorship of the national party (np) was severely repressed by the national government. In contrast, mao zedong assessed him as the “first-class saint” of modern china, the “master of the chinese cultural revolution”。
Chen soo-soo has commented: “there is no doubt that the destruction of the world is too great for mr. Ruther. It is admirable that the old literary man has at last maintained a certain spirit of independence and has refused to be easy to reconcile.”
National criticism
National criticism is one of his most important ideas throughout his life. This is where the "cold-eyed" of the rux insight is: “the chinese dare not look at all sides and create a strange escape with deception and deception, and think they are the right way. On this road is proof of national weakness, laziness and smoothness. One day's satisfaction, one day's depravedness, but one day's glory”. Xu xiu said that almost six million words had been translated as a recipe for national weaknesses。
Lu xuan has repeatedly lamented that “the chinese have refused to study themselves” and that they are living in a state of chaos, and has repeatedly advocated the translation of the english smitt's "hinama" as a reference for their own research. The official "q" is a form of national criticism by ruther, who, through his drawings of the aq character, represented by the " spiritual victory law" , has criticized all aspects of the country's poorness. Until late in the year, lu xuan, in his conversation with the s. O. R., noted with deep sorrow: “all chinese are ill, and all are sick.” however, how can it be easy to transform nationalism? Lu was the one who had the deepest taste and lamented with sadness, “regrets his misfortune and anger”。
Lin xiansheng believes that the thought of luxuan is profound, but not practical, and there is more general agreement on this recognition. "i do not agree with the word `nationality'. ... So-called nationalism is virtually non-existent and there is a concept of change”. Feng xian has published "lu xian's work and pass" and represents another voice. According to feng von von von von von zhou's national criticisms originated from the western missionaries since 1840. ... At that time, lu xian did not see western hegemonic rhetoric in the context of western nationalism”. These arguments, which at one time gave rise to much controversy, have led to a constant search for “national criticism” in the rapid study。
Wang xiaoming called lu xuan “the most painful soul of modern china”: “ru xian's inner pain is quite complex, and he symbolizes the whole spiritual pain of intellectuals to modern chinese society.” as lu xun once said, “the most painful part of life is that there is no way to go after a dream” and “defeating is a lie and just like hope”. Blueness is one of his personality etiquette, and throughout his life, it creates a unique, swift image. By the end of the year, luxun sometimes stayed quiet for days, ignored everything, drank a lot of wine in the middle of the night of “responsible”, and went to the ground and fell down or fell asleep. Lu xian, like the ancient chinese giant, sat on a dark gate and faced death。
"the living soul."
For two or three years before his death, lu xin spoke most of his friends about “chinese fascism”, and he often said to others, “it is intolerable that i have never seen such darkness in my life and that there are many web dogs that reward people to become evil. But he whispered to his friend, "i'm sorry, i'm over 50 years old..."
A few months before his death, he wrote "death," which said: "remember only when it was hot, and when it was thought that europeans were dying, there was often a ritual that asked for forgiveness, and he forgave others. How can i answer a new man when he asks me? And i thought about it and decided, "let them be angry and i will not forgive."
On 19 october 1936, luxhu died in shanghai of tuberculosis and was only 55 years old. Zhou hai, a 7-year-old son, wrote the day in detail in luxun and i for 70 years: “father is still lying in bed as if he had been asleep in the morning, so calm and so secure. It seems that after writing all night long, there is a deep rest. But the air in the room is so low that people can't breathe." the bad news came, the nation was shaken, and song qinggi was hosting his funeral, and the coffin was covered with a white flag of three words embroidered with a “national spirit”. Tens of thousands of people in shanghai have spontaneously held public ceremonies, funerals and burials at the national cemetery of the rainbow bridge。
Five days later, on 24 october, ruddov wrote a deeply ingrained "wilush": "the nation that has no great figure is the world's poorest living community; a great person, a nation that does not know to embrace, love and admire, is a nation of slaves without hope." almost a century later, it was discovered that the author, who fought with the whole time in a bitter, bitter, cold-eyed image, was left with a passionate spirit and a living soul。
This is taken from "masters" @associately read by october 2019
About this book
The magnificents, divided into two volumes, tried to restore an important moment and scene in the world in the first place, in the first place, in the national context, in the cultural base, in the academic quinlun, in the best possible words, the spirit of the human being, the thinker, the humanist model, the scientific peak and the beauty of the world, and painted the unique personality and cultural qualities of nearly a hundred masters for a century, faithfully describing their greatness and highness, and depicting a maestro of great excellence。
About the author
Zheng jianyu, taiwan's famous communications scholar, has spent his life on both sides of taiwan's news education. Has been a professor at the press department of the chinese university of culture in taiwan, a lecture professor at kimmen university in taiwan and a visiting professor at shanghai university of transport and nanjing university。
Ding sing, young writer, independent documentary, launcher of the omega studio. He is currently in beijing and works on oral history, non-fiction and media criticism。
